Cora Cohen Trust

Bibiography

Bibiography

SELECTED BIBLIOGRAPHY

This listing was prepared for Cora Cohen, (Gregory R. Miller & Co., 2026) and reflects the most complete information available at the time of its publication. Links to many of these articles and reviews, as well as updated citations, can be found on the Texts: Press section of this website.

Dalusong, Colleen. “Exhibition Review: Cora Cohen’s Poetics of Sensation.” Whitehot Magazine, November 4, 2025. https://whitehotmagazine.com/articles/cora-cohen-s-poetics-sensation/7348.

Ebony, David. “David Ebony’s Top 10: Autumn, 2025.” Snapshot, October 21, 2025. https://artworld.snapeditions.com/2025/10/21/david-ebonys-top-10-autumn-2025/.

Ostrow, Saul. “Cora Cohen: Refusing Closure.” Two Coats of Paint, October 8, 2025. https://twocoatsofpaint.com/2025/10/cora-cohen-refusing-closure.html.

Schiffman, Rebecca. “Cora Cohen: A Decade: 2012–22.“ The Brooklyn Rail, October 2025. https://brooklynrail.org/2025/10/artseen/cora-cohen-a-decade-2012-22

Turner, Maggie. “Cora Cohen: A Decade: 2012–22.” Air Mail, September 22, 2025. https://airmail.news/arts-intel/events/cora-cohen-a-decade-2012-22.

Heinrich, Will. “The gauzy texture of this #CoraCohen (1943–2023) painting… .” Instagram post,September 19, 2025. https://www.instagram.com/p/DOwVDZOkntV/.

Schwabsky, Barry. “Cora Cohen.” Artforum 61, no. 5, January 2023. https://www.artforum.com/events/cora-cohen-250772/.

Brennan, Michael. “Cora Cohen’s thoroughbred abstraction.” Two Coats of Paint, September 22, 2022. https://twocoatsofpaint.com/2022/09/cora-cohens-thoroughbred-abstraction.html.

Colvin, Rob. “Cora Cohen.” In Artists’ Painters: Cora Cohen—Paintings, Altered X-Rays, Drawings, exh. cat., 4–5. Düren: Leopold-Hoesch-Museum, 2016.

Schwabsky, Barry. “Cora Cohen: One Art.” In Artists’ Painters: Cora Cohen—Paintings, Altered X-Rays, Drawings, exh. cat., 6–8. Düren: Leopold-Hoesch-Museum, 2016.

Riley, Jennifer. “Slippery Conditions: A Show of Drawings by Cora Cohen.” artcritical.com, July 14, 2016. https://artcritical.com/2016/07/14/jennifer-riley-on-cora-cohen/.

Land, Ann. “The Artistic Influences that Made Artists Artists.” ARTnews, May 27, 2014. https://www.artnews.com/art-news/news/the-art-that-made-artists-artists-2438/.

Schwabsky, Barry. “Surviving the Moment.” The Nation, December 18, 2013, 33–38. https://www.thenation.com/article/archive/surviving-moment/.

Dressler, Christine. “Ausblutende Farbe und tanzende Figuren.” Wiesbadener Kurier, September 2013.

Jablon, Samuel. “The Formative Formlessness of Cora Cohen.” Hyperallergic, August 22, 2013. https://hyperallergic.com/80124/the-formative-formlessness-of-cora-cohen/.

Griffin, Nora. “Cora Cohen: The Responsibility of Forms.” The Brooklyn Rail, March 2013. https://brooklynrail.org/2013/03/artseen/cora-cohen-the-responsibility-of-forms/.

Kohler, William Eckhardt. “Cora Cohen—Divine Madness.” The Huffington Post, March 1, 2013. https://www.huffpost.com/entry/cora-cohen-divine-madness_b_2769706.

Rhodes, David. “Dirty/Clean Painting: Cora Cohen at Guided by Invoices.” artcritical.com, March 6, 2013. https://artcritical.com/2013/03/06/cora-cohen/.

Wagner, Anne M. “Passages: Helen Frankenthaler, 1928–2011.” Artforum 50, no. 8 (April 2012): 51–52.

Mittelstedt, Mitchell Ed. “Cora Cohen’s Writerly Art.” F Newsmagazine, November 14, 2011. https://fnewsmagazine.com/2011/11/cora-cohens-writerly-art/

Newhall, Edith. “Going Off Script With A Show Called Scripted.” Philadelphia Inquirer, August 7, 2011.

Waltemath, Joan. “Cora Cohen.” The Brooklyn Rail, November 2008. https://brooklynrail.org/2008/11/artseen/cora-cohen_Nov_08/.

Smith, Roberta. “Chelsea: Art Chockablock with Encyclopedic Range.” New York Times, November 13, 2008.

Riley, Jennifer. “Cora Cohen: Come in a Little Closer at Michael Steinberg.” artcritical.com, October 2008. http://www.mutualart.com/ExternalArticle/Jennifer-Rileyon-Cora-Cohen-at-Michael-S/D9BCA8EC4E26A74B?source_page=Gallery\Articles&identifier=Organization_Articles.

Sneed, Gillian. “Trends in Contemporary Painting.” New York Arts Magazine, July/August 2008.

Quinlan, Cathy Nan. “Shape Shifters: New York Painters.” artcritical.com, May 2008.

Fendrich, Laurie. “Brainstorm: The Interface of Art and Humanity.” The Chronicle of Higher Education, February 23, 2008.

Buhmann, Stephanie. “Experience versus Experimentation.” Brochure essay, Galerie Markus Winter, Berlin, 2007.

MacAdam, Barbara. “The New Abstraction.” ARTnews 106, no. 4, April 2007. https://www.artnews.com/artnews/news/the-new-abstraction-162/

Maine, Stephen. “Keeping it Real.” In Oblique Forms: Spray Paint Paintings, Photographs, The Hybrid Indexical Adventure Series, exh. cat. Jersey City, New Jersey: Abaton Garage, 2007.

Maine, Stephen. “Dona Nelson at Thomas Erben.” Art in America 94 (December 2006): 149.

Bortz, Lauri: “Far Less Tangible States of Being,” brochure essay on Cohen’s altered x rays, drawings and photographs, Abaton Garage, Jersey City, August 2006.

The Art in Embassies Program at United States Embassy Sarajevo, ART in Embassies Program US Department of State, Washington, DC, June 2006

Maine, Stephen. “Cora Cohen at Jason McCoy.” Art in America, February 2005.

Buhmann, Stefanie. “Cora Cohen.” The Brooklyn Rail, November 2004. https://brooklynrail.org/2004/11/artseen/cora-cohen/.

Schwabsky, Barry. “One Art.” Catalogue essay, Jason McCoy Gallery, New York, September 2004.

Rubenstein, Raphael. “Not a Mirage.” Art in America 90, no. 12 (December 2002): 41–47.

Bentley Gallery. “Interview with Cora Cohen for New Paintings.” Published by Bentley Gallery, New York, 1999.

Ratcliff, Carter, and Sobel, Kim. Immediacies of the Hand: Recent Abstract Painting in New York, exh. cat. New York: Hunter College of the City University of New York, 1999.

Landi, Ann. “New York Reviews: “Immediacies of the Hand, Hunter College / Times Square Gallery.” ARTnews 98, no. 7, Summer 1999.

Cohen, Cora. “The Record, the Death, the Surprise.” Essay, Abaton Press, Jersey City, August 1999.

Cotter, Holland: “Art Guide,” New York Times, April 9, 1999.

Everett, Deborah. “Hunter College’s Times Square Gallery.” NY Arts 4, no. 3 (March 1999): 58.

Pope, Robert Russell. “The Abstract Painter As Snake Handler: An Investigation and Interpretation of the Practice of Five American Abstract Painters in 1998.” PhD diss., Florida State University, Tallahassee, 1998.

Sendo, Lenore. “Reviews.” Art Vue, 1998.

Humphrey, Jacqueline. “Art on Paper Show Has Unfinished Feeling.” Greensboro News and Record, November 19, 1998.

Heartney, Eleanor. “Cora Cohen at Jason McCoy.” Art in America, June 1998.

Schmerler, Sarah. “New York Reviews: Cora Cohen, Jason McCoy.” ARTnews 97, no. 2, February 1998.

Hirsch, Robert. Exploring Color Photography, figure 22.5 (reproduction). Madison, WI: Brown & Benchmark Publishers, 1997.

Perl, Jed. “Transformations.” The New Republic, December 1, 1997.

Arning, Bill. “John Zinsser at Pamela Auchincloss.” Art in America, November 1997.

Bell, J. Bowyer. “Cora Cohen, Recent Paintings.” Review 3, no.3, October 15, 1997.

Descriptive entry in the magazine’s gallery listings. The New Yorker, October 13, 1997. https://www.newyorker.com/magazine/1997/10/13.

Smith, Dinita. “Besides the Hudson, The Lure of Art.” New York Times, October 10, 1997.

Brackman, Yvette. “Cora Cohen, Jason McCoy.” Time Out New York, October 23–30, 1997.

Ebony, David. “David Ebony’s New York Top Ten.” artnet.com,September 23, 1997.

Descriptive entry in the magazine’s gallery listings. The New Yorker, September 22, 1997. https://www.newyorker.com/magazine/1997/09/22.

Johnson, Ken. “Art Guide.” New York Times, September 19, 1997.

“Galleries: 57th Street.” Time Out New York, September 11–18, 1997.

Arning, Bill. “Lilith.” Time Out New York, September 11–18, 1997.

Mendelsohn, John. “The Abstract Lilith.” The Jewish Week, August 29, 1997.

Newhall, Edith. “Fall Preview.” New York Magazine, September 7, 1997.

Schwabsky, Barry. “Five Shows I Wish I’d Had a Chance to Write About, 1996–97.” Review, July/August 1997.

Cosar, Sascha. “Urbanes Lebensgefühl in Amerika.” Bonner Rundschau, May 22, 1997.

Bonner Illustrierte, May 1997.

Seidel, Martin. “Spaß mit Öl und Marmorstaub.” Bonner Generalanzeiger, May 6, 1997.

“Tips und Termine.” Bonner Generalanzeiger, April 18, 1997.

“Nene Ausslellungen, Import/Export.” Kölneiz Illustrierte, November 1996.

Macmillan, Kyle. “Exhibitions at Joslyn Illustrate Two Different Approaches to Art.” Sunday World Herald, September 15, 1996, 14.

Stich, Sidra. Paintings and Altered X-rays 1983–1996, exh. cat. Tuscaloosa: The University of Alabama, Sarah Moody Gallery of Art, 1996.

Bell, J. Bowyer. “Reviews and Previews of Current Exhibitions in New York.” Review, 1, no.1, April 1997.

Björkman, Anders. “The Earth Reddens and Bursts.” Västerbottens-Kuriren, April 26, 1996.

Lehrer, Leonard, and Rand, Steven. Diverse Group One Direction, exh. cat. New York: New York University, 1995.

Women Artists: Selections from the Collections of Bryn Mawr College Calendar, 1996.

Campbell, Kathleen, and Hirsch, Robert. In Search of the Pleasure Principle, exh. cat. Buffalo, New York: CEPA Gallery, 1995.

Deyneka, Elisa. “In Search of the Pleasure Principle.” Art Voice 6, no. 10, May 1995.

Hirsch, Robert. “In Search of the Pleasure Principle.” Campos Perspective, issue 2, May/June 1995. https://www.google.com/books/edition/In_Search_of_the_Pleasure_Principle/ooptwgEACAAJ?hl=en

Camera and Darkroom, April 1995.

Huntington, Richard. “Sweet Visions From 13 Seekers of Pleasure.” The Buffalo News, April 27, 1995.

“Joy Division.” The Buffalo News, April 7, 1995.

US Embassy, Manila. Contemporary American Artists, exh. cat. Washington, DC: US Department of State Art in Embassies Program, 1994.

Nadelman, Cynthia. “Museum Acquisitions.” Drawing XVI, no. 4, November/December 1994.

Stevens, Mark. “Bravura Brushwork.” New York Magazine 27, no. 47, November 28, 1994.

Nochlin, Linda. “Cora Cohen: Recent Paintings.” exh. cat. New York: Jason McCoy Gallery, 1994.

Bacon, George. “Censorship in the nineties.” The Art Newspaper 40, July–September 1994.

Kalina, Richard. “Cora Cohen at Jason McCoy.” Art in America 82, no. 7, July 1994.

Morgan, Robert C. “Peintures pour un hiver.” Art Press, no. 190 (April 1994): 190

Neugroschel, Joachim. “CORA COHEN / David Beitzel” New York Review of Art I, no. 2 (April 24, 1994): 15.

Hirsch, Faye. “Cora Cohen at David Beitzel Gallery.” Art in America 82, no. 1, January 1994.

Smith, Roberta. “Art in Review.” New York Times, December 10, 1993.

“Inaugural.” The New Yorker, October 4, 1993.

Wei, Lilly. “Cora Cohen at Jason McCoy.” Art in America 81, no. 6 (June 1993): 97

Henry, Gerrit. “Cora Cohen at Jason McCoy,” ARTnews 92, no. 6, Summer 1993.

“Bright Spark.” The New Yorker, March 22, 1993, 16.

Cotter, Holland. “Art in Review: Cora Cohen, Jason McCoy Gallery” New York Times, March 19, 1993, C22.

McConaughy, Claire. “Cora Cohen/Anne Delaporte.” Cover VII, Winter 1993.

Cohen, Cora. “The Fulcrum of the Fight.” Tema Celeste, no. 37–38 (Autumn 1992): 17.

Cotter, Holland. “Contemporary Surfaces” New York Times, August 7, 1992.

Smith, Roberta. “Art in Review: An Esemplastic Shift.” New York Times, June 26, 1992.

Ashley, Dottie. “Artists Express Views on Abstract Creations.” Charlston Post and Courier, May 27, 1992.

Porter, Katherine, and Phillips, Michael. Painting Self-Evident: Evolutions in Abstraction, exh. cat. Charleston, SC: Piccolo Spoleto, 1992.

Ostrow, Saul. “Shifting Grounds, Unstable Territories.” In Shifting Grounds, exh. cat. New York and Chicago: Wolff Gallery and Feigen Gallery, 1992.

Figee, Thea. “Nieuwe materieschilderkunst uit New York.” Utrechts Nieuwsblad, March 28, 1992.

Ostrow, Saul. “Strategies for a New Abstraction.” Tema Celeste, special issue, no. 32–33 (Autumn 1991): 66.

Cohen, Cora. “Social Volition.” BOMB magazine 37, Fall 1991. https://bombmagazine.org/articles/1991/10/01/social-volition/.

Kaneda, Shirley. “Painting and its Others.” Arts Magazine 65, No. 6 (Summer 1991): 58–64.

Artner, Alan G. “Review of ‘Strategies for the Last Painting?” Chicago Tribune, March 8, 1991.

Ostrow, Saul. Strategies for the Next Painting, exh. cat. Baarn, Germany: Sytsema Galleries, 1991.

McQuaid, Cate. “Painting the Dematerialized Ego.” South End News, October 3, 1990.

Sherman, Mary. “The Artful Uses of Classification.” Boston Globe, August 1990.

McQuaid, Cate. “Drawing the Line.” South End News, June 28, 1990, 12.

Westfall, Stephen. “Cora Cohen at Wolff Gallery.” Art in America 77, no. 6 (June 1989): 169.

Welish, Marjorie. “Cora Cohen.” Arts Magazine 63, no. 7 (March 1989): 82.

Donohue, Marlena. “_____.” Los Angeles Times, December 2, 1988.

Kimmelman, Michael. “Review/Art.” New York Times, November 25, 1988.

Gilbert-Rolfe, Jeremy & Hermsdorf, Stephanie. “An Abbreviated Theory of the Body.” BOMB magazine 25, Fall 1988 (reproduction). https://bombmagazine.org/articles/1988/10/01/a-thigh-length-history-of-the-fashion-photograph-an-abbreviated-theory-of-the-body/.

Brenson, Michael. “Art: Works by 7 Women, ‘Aspects of Abstraction.’” New York Times, January 22, 1988.

Cohen, Cora, and Sussler, Betsy. “Joan Mitchell” (interview). BOMB magazine 17, Fall 1986. https://bombmagazine.org/articles/1986/10/01/joan-mitchell/.

Sylvester, Julie. John Chamberlain: A Catalogue Raisonne of the Sculpture 1954–85. Manchester, VT: Hudson Hills Press Inc., 1986.

Kertess, Klaus. Painting as Landscape, exh. cat. Pasadena, CA: Baxter Art Gallery, 1985.

“The American Landscape.” BOMB magazine 11, Winter 1985 (reproduction).

Choate, Pari Stave. “New York Reviews.” Flash Art 118, Summer 1984.

Moorman, Peggy. “New York Reviews.” ARTnews 83, no. 6, Summer 1984.

Brenson, Michael. “_____.”New York Times, March 16, 1984.

Zimmer, William. “_____.” Arts Magazine 58, no. 7, March 1984.

Rickey, Carrie. “Why Women Don’t Express Themselves.” The Village Voice, November 2, 1982.

Kenny, Kay. “Abstract Substance and Meaning.” Women’s Art Journal 3, no. 1 (Spring/Summer 1982): 22

Nadelman, Cynthia. “New York Reviews.” ARTnews 80, no. 4, April 1981.

Polk, James. “New York Exhibitions.” Art World, March 20, 1981.

“The Arts.” Greenwich Time, March 13, 1981.

Zimmer, William. “Reviews.” Soho Weekly News, December 3, 1980.

Frank, Peter. “Reviews.” The Village Voice, June 4, 1979.

Phillips, Michael. New Options in Painterly Abstraction, exh. cat. Brooklyn: Cadman Plaza East Courthouse, 1979.

Cohen, Randy. “Liz Philips in New York City, Sound Articulates Space.” Synapse 1, no. 5, January/February 1977. https://www.neatnetnoise.com/synapse-january-february-1977.

Canaday, John. “It’s Spring in Connecticut, and New Talent Blooms.” New York Times, May 9, 1976.

Lorber, Richard. “Reviews.” Arts Magazine 50, no. 3, March 1976. https://www.neatnetnoise.com/synapse-january-february-1977.

Wright, Carolyn. “Ambiguity in Art and Person.” Syracuse New Times, December 8, 1974.

Bibiography

SELECTED BIBLIOGRAPHY

This listing was prepared for Cora Cohen, (Gregory R. Miller & Co., 2026) and reflects the most complete information available at the time of its publication. Links to many of these articles and reviews, as well as updated citations, can be found on the Texts: Press section of this website.

Dalusong, Colleen. “Exhibition Review: Cora Cohen’s Poetics of Sensation.” Whitehot Magazine, November 4, 2025. https://whitehotmagazine.com/articles/cora-cohen-s-poetics-sensation/7348.

Ebony, David. “David Ebony’s Top 10: Autumn, 2025.” Snapshot, October 21, 2025. https://artworld.snapeditions.com/2025/10/21/david-ebonys-top-10-autumn-2025/.

Ostrow, Saul. “Cora Cohen: Refusing Closure.” Two Coats of Paint, October 8, 2025. https://twocoatsofpaint.com/2025/10/cora-cohen-refusing-closure.html.

Schiffman, Rebecca. “Cora Cohen: A Decade: 2012–22.“ The Brooklyn Rail, October 2025. https://brooklynrail.org/2025/10/artseen/cora-cohen-a-decade-2012-22

Turner, Maggie. “Cora Cohen: A Decade: 2012–22.” Air Mail, September 22, 2025. https://airmail.news/arts-intel/events/cora-cohen-a-decade-2012-22.

Heinrich, Will. “The gauzy texture of this #CoraCohen (1943–2023) painting… .” Instagram post,September 19, 2025. https://www.instagram.com/p/DOwVDZOkntV/.

Schwabsky, Barry. “Cora Cohen.” Artforum 61, no. 5, January 2023. https://www.artforum.com/events/cora-cohen-250772/.

Brennan, Michael. “Cora Cohen’s thoroughbred abstraction.” Two Coats of Paint, September 22, 2022. https://twocoatsofpaint.com/2022/09/cora-cohens-thoroughbred-abstraction.html.

Colvin, Rob. “Cora Cohen.” In Artists’ Painters: Cora Cohen—Paintings, Altered X-Rays, Drawings, exh. cat., 4–5. Düren: Leopold-Hoesch-Museum, 2016.

Schwabsky, Barry. “Cora Cohen: One Art.” In Artists’ Painters: Cora Cohen—Paintings, Altered X-Rays, Drawings, exh. cat., 6–8. Düren: Leopold-Hoesch-Museum, 2016.

Riley, Jennifer. “Slippery Conditions: A Show of Drawings by Cora Cohen.” artcritical.com, July 14, 2016. https://artcritical.com/2016/07/14/jennifer-riley-on-cora-cohen/.

Land, Ann. “The Artistic Influences that Made Artists Artists.” ARTnews, May 27, 2014. https://www.artnews.com/art-news/news/the-art-that-made-artists-artists-2438/.

Schwabsky, Barry. “Surviving the Moment.” The Nation, December 18, 2013, 33–38. https://www.thenation.com/article/archive/surviving-moment/.

Dressler, Christine. “Ausblutende Farbe und tanzende Figuren.” Wiesbadener Kurier, September 2013.

Jablon, Samuel. “The Formative Formlessness of Cora Cohen.” Hyperallergic, August 22, 2013. https://hyperallergic.com/80124/the-formative-formlessness-of-cora-cohen/.

Griffin, Nora. “Cora Cohen: The Responsibility of Forms.” The Brooklyn Rail, March 2013. https://brooklynrail.org/2013/03/artseen/cora-cohen-the-responsibility-of-forms/.

Kohler, William Eckhardt. “Cora Cohen—Divine Madness.” The Huffington Post, March 1, 2013. https://www.huffpost.com/entry/cora-cohen-divine-madness_b_2769706.

Rhodes, David. “Dirty/Clean Painting: Cora Cohen at Guided by Invoices.” artcritical.com, March 6, 2013. https://artcritical.com/2013/03/06/cora-cohen/.

Wagner, Anne M. “Passages: Helen Frankenthaler, 1928–2011.” Artforum 50, no. 8 (April 2012): 51–52.

Mittelstedt, Mitchell Ed. “Cora Cohen’s Writerly Art.” F Newsmagazine, November 14, 2011. https://fnewsmagazine.com/2011/11/cora-cohens-writerly-art/

Newhall, Edith. “Going Off Script With A Show Called Scripted.” Philadelphia Inquirer, August 7, 2011.

Waltemath, Joan. “Cora Cohen.” The Brooklyn Rail, November 2008. https://brooklynrail.org/2008/11/artseen/cora-cohen_Nov_08/.

Smith, Roberta. “Chelsea: Art Chockablock with Encyclopedic Range.” New York Times, November 13, 2008.

Riley, Jennifer. “Cora Cohen: Come in a Little Closer at Michael Steinberg.” artcritical.com, October 2008. http://www.mutualart.com/ExternalArticle/Jennifer-Rileyon-Cora-Cohen-at-Michael-S/D9BCA8EC4E26A74B?source_page=Gallery\Articles&identifier=Organization_Articles.

Sneed, Gillian. “Trends in Contemporary Painting.” New York Arts Magazine, July/August 2008.

Quinlan, Cathy Nan. “Shape Shifters: New York Painters.” artcritical.com, May 2008.

Fendrich, Laurie. “Brainstorm: The Interface of Art and Humanity.” The Chronicle of Higher Education, February 23, 2008.

Buhmann, Stephanie. “Experience versus Experimentation.” Brochure essay, Galerie Markus Winter, Berlin, 2007.

MacAdam, Barbara. “The New Abstraction.” ARTnews 106, no. 4, April 2007. https://www.artnews.com/artnews/news/the-new-abstraction-162/

Maine, Stephen. “Keeping it Real.” In Oblique Forms: Spray Paint Paintings, Photographs, The Hybrid Indexical Adventure Series, exh. cat. Jersey City, New Jersey: Abaton Garage, 2007.

Maine, Stephen. “Dona Nelson at Thomas Erben.” Art in America 94 (December 2006): 149.

Bortz, Lauri: “Far Less Tangible States of Being,” brochure essay on Cohen’s altered x rays, drawings and photographs, Abaton Garage, Jersey City, August 2006.

The Art in Embassies Program at United States Embassy Sarajevo, ART in Embassies Program US Department of State, Washington, DC, June 2006

Maine, Stephen. “Cora Cohen at Jason McCoy.” Art in America, February 2005.

Buhmann, Stefanie. “Cora Cohen.” The Brooklyn Rail, November 2004. https://brooklynrail.org/2004/11/artseen/cora-cohen/.

Schwabsky, Barry. “One Art.” Catalogue essay, Jason McCoy Gallery, New York, September 2004.

Rubenstein, Raphael. “Not a Mirage.” Art in America 90, no. 12 (December 2002): 41–47.

Bentley Gallery. “Interview with Cora Cohen for New Paintings.” Published by Bentley Gallery, New York, 1999.

Ratcliff, Carter, and Sobel, Kim. Immediacies of the Hand: Recent Abstract Painting in New York, exh. cat. New York: Hunter College of the City University of New York, 1999.

Landi, Ann. “New York Reviews: “Immediacies of the Hand, Hunter College / Times Square Gallery.” ARTnews 98, no. 7, Summer 1999.

Cohen, Cora. “The Record, the Death, the Surprise.” Essay, Abaton Press, Jersey City, August 1999.

Cotter, Holland: “Art Guide,” New York Times, April 9, 1999.

Everett, Deborah. “Hunter College’s Times Square Gallery.” NY Arts 4, no. 3 (March 1999): 58.

Pope, Robert Russell. “The Abstract Painter As Snake Handler: An Investigation and Interpretation of the Practice of Five American Abstract Painters in 1998.” PhD diss., Florida State University, Tallahassee, 1998.

Sendo, Lenore. “Reviews.” Art Vue, 1998.

Humphrey, Jacqueline. “Art on Paper Show Has Unfinished Feeling.” Greensboro News and Record, November 19, 1998.

Heartney, Eleanor. “Cora Cohen at Jason McCoy.” Art in America, June 1998.

Schmerler, Sarah. “New York Reviews: Cora Cohen, Jason McCoy.” ARTnews 97, no. 2, February 1998.

Hirsch, Robert. Exploring Color Photography, figure 22.5 (reproduction). Madison, WI: Brown & Benchmark Publishers, 1997.

Perl, Jed. “Transformations.” The New Republic, December 1, 1997.

Arning, Bill. “John Zinsser at Pamela Auchincloss.” Art in America, November 1997.

Bell, J. Bowyer. “Cora Cohen, Recent Paintings.” Review 3, no.3, October 15, 1997.

Descriptive entry in the magazine’s gallery listings. The New Yorker, October 13, 1997. https://www.newyorker.com/magazine/1997/10/13.

Smith, Dinita. “Besides the Hudson, The Lure of Art.” New York Times, October 10, 1997.

Brackman, Yvette. “Cora Cohen, Jason McCoy.” Time Out New York, October 23–30, 1997.

Ebony, David. “David Ebony’s New York Top Ten.” artnet.com,September 23, 1997.

Descriptive entry in the magazine’s gallery listings. The New Yorker, September 22, 1997. https://www.newyorker.com/magazine/1997/09/22.

Johnson, Ken. “Art Guide.” New York Times, September 19, 1997.

“Galleries: 57th Street.” Time Out New York, September 11–18, 1997.

Arning, Bill. “Lilith.” Time Out New York, September 11–18, 1997.

Mendelsohn, John. “The Abstract Lilith.” The Jewish Week, August 29, 1997.

Newhall, Edith. “Fall Preview.” New York Magazine, September 7, 1997.

Schwabsky, Barry. “Five Shows I Wish I’d Had a Chance to Write About, 1996–97.” Review, July/August 1997.

Cosar, Sascha. “Urbanes Lebensgefühl in Amerika.” Bonner Rundschau, May 22, 1997.

Bonner Illustrierte, May 1997.

Seidel, Martin. “Spaß mit Öl und Marmorstaub.” Bonner Generalanzeiger, May 6, 1997.

“Tips und Termine.” Bonner Generalanzeiger, April 18, 1997.

“Nene Ausslellungen, Import/Export.” Kölneiz Illustrierte, November 1996.

Macmillan, Kyle. “Exhibitions at Joslyn Illustrate Two Different Approaches to Art.” Sunday World Herald, September 15, 1996, 14.

Stich, Sidra. Paintings and Altered X-rays 1983–1996, exh. cat. Tuscaloosa: The University of Alabama, Sarah Moody Gallery of Art, 1996.

Bell, J. Bowyer. “Reviews and Previews of Current Exhibitions in New York.” Review, 1, no.1, April 1997.

Björkman, Anders. “The Earth Reddens and Bursts.” Västerbottens-Kuriren, April 26, 1996.

Lehrer, Leonard, and Rand, Steven. Diverse Group One Direction, exh. cat. New York: New York University, 1995.

Women Artists: Selections from the Collections of Bryn Mawr College Calendar, 1996.

Campbell, Kathleen, and Hirsch, Robert. In Search of the Pleasure Principle, exh. cat. Buffalo, New York: CEPA Gallery, 1995.

Deyneka, Elisa. “In Search of the Pleasure Principle.” Art Voice 6, no. 10, May 1995.

Hirsch, Robert. “In Search of the Pleasure Principle.” Campos Perspective, issue 2, May/June 1995. https://www.google.com/books/edition/In_Search_of_the_Pleasure_Principle/ooptwgEACAAJ?hl=en

Camera and Darkroom, April 1995.

Huntington, Richard. “Sweet Visions From 13 Seekers of Pleasure.” The Buffalo News, April 27, 1995.

“Joy Division.” The Buffalo News, April 7, 1995.

US Embassy, Manila. Contemporary American Artists, exh. cat. Washington, DC: US Department of State Art in Embassies Program, 1994.

Nadelman, Cynthia. “Museum Acquisitions.” Drawing XVI, no. 4, November/December 1994.

Stevens, Mark. “Bravura Brushwork.” New York Magazine 27, no. 47, November 28, 1994.

Nochlin, Linda. “Cora Cohen: Recent Paintings.” exh. cat. New York: Jason McCoy Gallery, 1994.

Bacon, George. “Censorship in the nineties.” The Art Newspaper 40, July–September 1994.

Kalina, Richard. “Cora Cohen at Jason McCoy.” Art in America 82, no. 7, July 1994.

Morgan, Robert C. “Peintures pour un hiver.” Art Press, no. 190 (April 1994): 190

Neugroschel, Joachim. “CORA COHEN / David Beitzel” New York Review of Art I, no. 2 (April 24, 1994): 15.

Hirsch, Faye. “Cora Cohen at David Beitzel Gallery.” Art in America 82, no. 1, January 1994.

Smith, Roberta. “Art in Review.” New York Times, December 10, 1993.

“Inaugural.” The New Yorker, October 4, 1993.

Wei, Lilly. “Cora Cohen at Jason McCoy.” Art in America 81, no. 6 (June 1993): 97

Henry, Gerrit. “Cora Cohen at Jason McCoy,” ARTnews 92, no. 6, Summer 1993.

“Bright Spark.” The New Yorker, March 22, 1993, 16.

Cotter, Holland. “Art in Review: Cora Cohen, Jason McCoy Gallery” New York Times, March 19, 1993, C22.

McConaughy, Claire. “Cora Cohen/Anne Delaporte.” Cover VII, Winter 1993.

Cohen, Cora. “The Fulcrum of the Fight.” Tema Celeste, no. 37–38 (Autumn 1992): 17.

Cotter, Holland. “Contemporary Surfaces” New York Times, August 7, 1992.

Smith, Roberta. “Art in Review: An Esemplastic Shift.” New York Times, June 26, 1992.

Ashley, Dottie. “Artists Express Views on Abstract Creations.” Charlston Post and Courier, May 27, 1992.

Porter, Katherine, and Phillips, Michael. Painting Self-Evident: Evolutions in Abstraction, exh. cat. Charleston, SC: Piccolo Spoleto, 1992.

Ostrow, Saul. “Shifting Grounds, Unstable Territories.” In Shifting Grounds, exh. cat. New York and Chicago: Wolff Gallery and Feigen Gallery, 1992.

Figee, Thea. “Nieuwe materieschilderkunst uit New York.” Utrechts Nieuwsblad, March 28, 1992.

Ostrow, Saul. “Strategies for a New Abstraction.” Tema Celeste, special issue, no. 32–33 (Autumn 1991): 66.

Cohen, Cora. “Social Volition.” BOMB magazine 37, Fall 1991. https://bombmagazine.org/articles/1991/10/01/social-volition/.

Kaneda, Shirley. “Painting and its Others.” Arts Magazine 65, No. 6 (Summer 1991): 58–64.

Artner, Alan G. “Review of ‘Strategies for the Last Painting?” Chicago Tribune, March 8, 1991.

Ostrow, Saul. Strategies for the Next Painting, exh. cat. Baarn, Germany: Sytsema Galleries, 1991.

McQuaid, Cate. “Painting the Dematerialized Ego.” South End News, October 3, 1990.

Sherman, Mary. “The Artful Uses of Classification.” Boston Globe, August 1990.

McQuaid, Cate. “Drawing the Line.” South End News, June 28, 1990, 12.

Westfall, Stephen. “Cora Cohen at Wolff Gallery.” Art in America 77, no. 6 (June 1989): 169.

Welish, Marjorie. “Cora Cohen.” Arts Magazine 63, no. 7 (March 1989): 82.

Donohue, Marlena. “_____.” Los Angeles Times, December 2, 1988.

Kimmelman, Michael. “Review/Art.” New York Times, November 25, 1988.

Gilbert-Rolfe, Jeremy & Hermsdorf, Stephanie. “An Abbreviated Theory of the Body.” BOMB magazine 25, Fall 1988 (reproduction). https://bombmagazine.org/articles/1988/10/01/a-thigh-length-history-of-the-fashion-photograph-an-abbreviated-theory-of-the-body/.

Brenson, Michael. “Art: Works by 7 Women, ‘Aspects of Abstraction.’” New York Times, January 22, 1988.

Cohen, Cora, and Sussler, Betsy. “Joan Mitchell” (interview). BOMB magazine 17, Fall 1986. https://bombmagazine.org/articles/1986/10/01/joan-mitchell/.

Sylvester, Julie. John Chamberlain: A Catalogue Raisonne of the Sculpture 1954–85. Manchester, VT: Hudson Hills Press Inc., 1986.

Kertess, Klaus. Painting as Landscape, exh. cat. Pasadena, CA: Baxter Art Gallery, 1985.

“The American Landscape.” BOMB magazine 11, Winter 1985 (reproduction).

Choate, Pari Stave. “New York Reviews.” Flash Art 118, Summer 1984.

Moorman, Peggy. “New York Reviews.” ARTnews 83, no. 6, Summer 1984.

Brenson, Michael. “_____.”New York Times, March 16, 1984.

Zimmer, William. “_____.” Arts Magazine 58, no. 7, March 1984.

Rickey, Carrie. “Why Women Don’t Express Themselves.” The Village Voice, November 2, 1982.

Kenny, Kay. “Abstract Substance and Meaning.” Women’s Art Journal 3, no. 1 (Spring/Summer 1982): 22

Nadelman, Cynthia. “New York Reviews.” ARTnews 80, no. 4, April 1981.

Polk, James. “New York Exhibitions.” Art World, March 20, 1981.

“The Arts.” Greenwich Time, March 13, 1981.

Zimmer, William. “Reviews.” Soho Weekly News, December 3, 1980.

Frank, Peter. “Reviews.” The Village Voice, June 4, 1979.

Phillips, Michael. New Options in Painterly Abstraction, exh. cat. Brooklyn: Cadman Plaza East Courthouse, 1979.

Cohen, Randy. “Liz Philips in New York City, Sound Articulates Space.” Synapse 1, no. 5, January/February 1977. https://www.neatnetnoise.com/synapse-january-february-1977.

Canaday, John. “It’s Spring in Connecticut, and New Talent Blooms.” New York Times, May 9, 1976.

Lorber, Richard. “Reviews.” Arts Magazine 50, no. 3, March 1976. https://www.neatnetnoise.com/synapse-january-february-1977.

Wright, Carolyn. “Ambiguity in Art and Person.” Syracuse New Times, December 8, 1974.

Texts: Biography