Selected Solo Exhibitions
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| * denotes catalogue and/or essay |
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| 2008 |
Come in a Little Closer, Recent Paintings, Michael Steinberg Fine Art, New York, New York
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| 2007 |
*Oblique Forms: Spray Paint Paintings, Photographs, The Hybrid Indexical Adventure Series, Abaton Garage, Jersey City, New Jersey
*Markus Winter Gallery, Berlin, paintings, drawings |
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| 2005 |
Bentley Gallery, Scottsdale, Arizona
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| 2004 |
Jason McCoy Inc., New York, New York |
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| 2003 |
National Focus Artist 2003-2004, Emory & Henry College, Emory, Virginia |
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| 2002 |
Bentley Gallery, Scottsdale, Arizona |
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| 2001 |
McCoy Chelsea, New York, New York |
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| 1999 |
Belvedere Straße 149a, Köln, paintings and altered x rays
Bentley Gallery, Scottsdale, Arizona |
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|
| 1998 |
Jason McCoy Inc., New York, New York
Rena Bransten Gallery, San Francisco, California
The Mob Within the Heart, Hering Raum Bonn, Bonn, paintings, altered x rays, vellum |
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| 1997 |
Hering Raum Bonn, Bonn, Cohen/Koberling drawings
Upstairs Hering Raum Bonn, Bonn, drawings |
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|
| 1996 |
* Cora Cohen: paintings and altered x rays 1983-1996
Joslyn Art Museum, Omaha, Nebraska
Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, Alabama |
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|
| 1994 |
*Jason McCoy Inc., New York, New York
David Beitzel Gallery, New York, New York, drawings |
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|
| 1993 |
New Arts Program, Kutztown, Pennsylvania, paintings/drawings/vellum 1990-1993
Jason McCoy Inc., New York, New York |
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| 1992 |
A/C Project Room, New York, New York, Cohen/ Deleporte |
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| 1990 |
Holly Solomon Gallery, New York, New York |
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| 1988 |
Wolff Gallery, New York, New York |
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| 1984 |
Max Hutchinson Gallery, New York, New York |
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| 1983 |
Fairleigh Dickinson University, Madison, New Jersey, paintings and drawings |
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| 1980 |
Max Hutchinson Gallery, New York, New York, paintings and drawings |
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| 1979 |
Max Hutchinson Gallery, New York, New York |
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| 1977 |
State University of New York at Oneonta, New York |
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| 1976 |
Soho Center for Visual Artists, New York, New York, Cohen/Fortgang |
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| 1974 |
Everson Museum of Art, Syracuse, New York |
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Selected Group Exhibitions |
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2010 |
This World, Other World, curated by David Gronzinsky, Firehouse Gallery, Burlington, VermontDenmark, drawings
The Feminine in Abstract Painting, new works by Cora Cohen, Melanie Parke, Kiki Slaughter, Margie Stewart, Emily Amy Gallery, Atlanta, Georgia
It's a Wonderful 10th, Sideshow Gallery, Brooklyn, New York |
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| 2009 |
Strokes, curated by John Pomara, September 25 - October 24, The University of Texas at Dallas, Opening: Friday, September 25,
6:30-9:00, Visual Arts building: Main Gallery
Group Exhibition, William Shearburn Gallery, Santa Fe, New Mexico
It's a Wonderful Life, Sideshow Gallery, Brooklyn, New York
Back to the Drawing Board, December 4 - January 3, Michael Steinberg Fine Art, New York, New York |
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| 2008 |
Shape Shifters: New York Painters, curated by James Biederman, University of North Carolina at Pembroke, Pembroke, North Carolina; Sideshow Gallery, Brooklyn, New York |
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| 2007 |
No Words And Words On Paper, Stalke Kirke Sonnerup, Denmark, drawings
Dutch Barn Fall Show, curated by Rose Burlingham, Clinton Corners, New York
Painters of California and New York, Elder Gallery, Charlotte, N. C.
Art Connections 4r, George Segal Gallery, Montclair State University, Montclair, New Jersey |
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| 2003 |
im + provisus: Compositions in Jazz, curated by Alison Nichols Ferring and Eva Lundsager, Sheldon Art Galleries, St. Louis, Missouri, drawings
Painting Painting, N3 Project Space, Williamsburg, Brooklyn, New York |
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| 2002 |
Back to the Future, curated by Michael St. John and Jason Duval; Cynthia Broan Gallery, New York, New York |
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| 2001 |
*The Five and Dime Series, The Record, the Death, the Surprise, Jan Van der Donk, New York, New York
Celebrating Yaddo Artists, Williamsburg Art and Historical Center, Brooklyn, New York |
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|
| 1999 |
Oppenhoff and Rädler, Leipzig, organized by Stefanie Hering; paintings and altered x rays
Galerie Mariann Ahnlund, Stockholm Art Fair, Stockholm
*Immediacies of the Hand: Recent Abstract Painting in New York, curated by Carter Ratcliff and Kim Sobel; Hunter College, Times Square Gallery, New York, New York
Positionen 33 Painting, Hering Raum Stahlwerk Willich, Willich
Selected Paintings, McCoy Kansas City, Kansas City, Missouri
Jason McCoy Gallery, The Art Fair, The 69th Regiment Armory, New York, New York
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| 1998 |
Painting New York/Copenhagen, Stalke Out of Space, Copenhagen
*Art On Paper, Weatherspoon Art Gallery, Greensboro, North Carolina
Galerie Mariann Ahnlund, Stockholm Art Fair, Stockholm
Barbara Davis Gallery, Houston, Texas
Lilith, curated by Stephanie Theodore; The Workspace at Dolgenos, Newman, & Cronin, New York, New York
Absolute Surprise to Benefit the Royal College of Art and the New York Studio School, David McKee Gallery, New York, New York
Coaliton for the Homeless Benefit Exhibition and Auction, The Puck Building, New York, New York
*The Tsagaris/Hilberry Collection: A Sustaining Passion, The University of Arizona Museum of Art, Tuscon, Arizona Rapids, Iowa; Dubuque Museum of Art, Dubuque, Iowa |
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|
| 1997 |
Pool, Rena Bransten Gallery, San Francisco, California
Benefit for Pat Hearn, Pat Hearn Gallery, New York, New York |
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| 1996 |
*After the Fall: Aspects of Abstract Painting Since 1970, curated by Lilly Wei; Newhouse Center for Contemporary Art Snug Harbor Cultural Center, Staten Island, New York
Import/Export, presented by Stefanie Hering at Auto Kaiser, Köln, altered x rays
Galerie Brigitte Schenk, Köln, Cohen, Dagly, Dahn, Penck, others
The Gramercy International Contemporary Art Fair, The Gramercy Park Hotel, New York, New York
Galerie Mariann Ahnlund, Umeå, paintings and altered x rays
Accrochage, Hering Raum Bonn, Bonn
Cora Cohen, Leslie Kamen, Robert Mallary, Mitchell Algus Gallery, New York, New York |
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|
| 1995 |
*In Search of the Pleasure Principle, CEPA Gallery, Buffalo, New York, altered x rays
The Smart Fair, A/C Project Room, Stockholm, altered x rays
1995 Benefit Gala, White Columns, New York, New York
*New York University 1995 Faculty Show, Apex Art, New York, New York |
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|
| 1994 |
Freedom—Discipline—Abstraction, Trans Hudson Gallery, Jersey City, New Jersey
Heterogeneity, Abstraction and Virtual Space, curated by Leonard Bullock; Out of the Blue Gallery, Edinburgh, Scotland
Mirage, with McClelland, Nelson, Szold, Whitten; Penine Hart Gallery, New York, New York
Abstract Paintings, Klein Art Works, Chicago, Illinois
Small Format Abstract Paintings, Bill Maynes Contemporary Art, New York, New York
Jason McCoy Inc., New York, New York
Bennington College Art Raffle, Mathew Marks Gallery, New York, New York |
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|
| 1993 |
Libidinal Painting, curated by Bill Arning; White Columns, New York, New York
Angel Art, Benefit Auction, Los Angeles, California
30th Anniversary Exhibition of Drawings for the Foundation for Contemporary Performance Arts, Leo Castelli Gallery, New York, New York
Inaugural Show 1993, The Painting Center, New York, New York
New Works by Gallery Artists, Jason McCoy Inc., New York, New York |
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|
| 1992 |
Introductions, Schmidt Contemporary Art, St. Louis, Missouri
Contemporary Surfaces, Pamela Auchincloss Gallery, New York, New York
An Esemplastic Shift, A/C Project Room, New York, New York
Painting Self-Evident, curated by Katherine Porter; Piccolo Spoleto, Charleston, South Carolina
Painting Invitational, with Bloodgood, Bullock, Kinmont; Sandra Gering Gallery, New York, New York
Multiple Grounds, with Balth, Fisher, Ostendarp; Sytsema Galleries, Baarn
The Fetish of Knowledge, A/C Project Room, New York, New York, altered x-rays
Ho Hum All Ye Faithful, John Post Lee Gallery, New York, New York
Shades of Difference, Sandra Gering Gallery, New York, New York |
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| 1991 |
Strategies for the Next Painting, curated by Saul Ostrow and Jamie Wolff; Wolff Gallery, New York, New York; Feigen Gallery, Chicago, Illinois |
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| 1990 |
Painting the Dematerialized Ego, with Fitzgerald and Boocheever; Genovese Gallery, Boston, Massachusetts
Postminimalism, Genovese Gallery, Boston, Massachusetts
Serial Drawings, Genovese Gallery, Boston, Massachusetts
The Radiant Principle, Penine Hart Gallery, New York, New York |
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| 1989 |
A Decade of American Drawing: 1980-89, Daniel Weinberg Gallery, Los Angeles, California
Methods of Abstraction, Urban Gallery, New York, New York |
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| 1988 |
Among Them, But Not Of Them, with Fisher, Heilmann, Sarat; Saxon-Lee Gallery, Los Angeles, California
Six Abstract Painters, Penine Hart Gallery, New York, New York
Aspects of Abstraction, with Eigenheer, Hess, Mitchell, Murray, Pfaff; Holly Solomon Gallery, New York, New York
Group Revelations, The Harcus Gallery, Boston, Massachusetts |
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|
| 1987 |
The Presence of Nature: Some American Paintings, with Berthot, de Kooning, Dove, Hartley, Krasner, Mitchell; curated by Beth Urdang; Barbara Krakow Gallery, Boston, Massachusetts
Art Against AIDS, curated by Robert Rosenblum; Dia Art Foundation, New York, New York
1987 Art Against AIDS, curated by Robert Rosenblum; Baskerville + Watson, New York, New York
Contemporary and Modern Masters, Lever/Meyerson Galleries, New York, New York
Painting Invitational, with Goldberg, Mitchell, Mueller, Palazzolo, Porter; Bette Stoler Gallery, New York, New York
Paintings and Sculpture by Candidates for Art Awards, American Academy and Institute of Arts and Letters, New York, New York |
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| 1985 |
Painting as Landscape: Views of American Modernism, curated by Klaus Kertess; Baxter Art Gallery, Pasadena, California; Parrish Art Museum, Southhampton, New York
The Non-Objective World, curated by Stephen Westfall; Kamikaze, New York, New York |
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| 1984 |
Bomb Benefit Show, Blum Helman Warehouse, New York, New York
Figures of Paint, curated by Klaus Kertess; Cable Gallery, New York, New York |
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| 1982 |
Abstract Substance and Meaning: Painting by Women Artists, College Art Association New York City Convention, New York, New York |
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| 1979 |
New Options in Painterly Abstraction, with Palazzolo, Phillips, Porter; Cadman Plaza East Courthouse, Brooklyn, New York |
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Selected Bibliography |
Smith, Roberta: The New York Times “Chelsea: Art Chockablock with Encyclopedic Range” November 2008
Waltemath, Joan: The Brooklyn Rail “Cora Cohen: Michael Steinberg Gallery” November 2008
Riley, Jennifer: artcritical.com “Cora Cohen: Come in a Little Closer at Michael Steinberg” October 2008
Sneed, Gillian: New York Arts Magazine “Trends in Contemporary Painting” July/August 2008
Quinlan, Cathy Nan: artcritical.com “Shape Shifters: New York Painters” May 2008
Fendrich, Laurie: “The Interface of Art and Humanity” The Chronicle of Higher Education, Chronicle Review, Brainstorm, February 23, 2008
Maine, Stephen: “Keeping it Real,” catalogue essay to accompany the solo exhibition Oblique Forms: Spray Paint Paintings, Photographs, The Hybrid Indexical Adventure Series at Abaton Garage, September 9 – October 31, 2007
MacAdam, Barbara: Artnews “The New Abstraction” April 2007, Volume 106, Number 4
Buhmann, Stephanie: “Experience versus Experimentation,” catalogue essay to accompany the solo exhibition of paintings and drawings at Galerie Markus Winter, Berlin, February 10 – March 31, 2007
The Art in Embassies Program, United States Embassy Sarajevo, 2006 catalogue, paintings
Bortz, Lauri: “Far Less Tangible States of Being, Cohen’s altered x rays, drawings and photographs,” August 2006
Maine, Stephen: Art in America, February 2005
Buhmann, Stefanie: The Brooklyn Rail, “Reviews” November 2004
Schwabsky, Barry: “One Art,” essay to accompany 2004 exhibition
Rubenstein, Raphael: Art in America, “Not a Mirage" December 2002, Number 12
Cohen, Cora: “The Record, the Death, the Surprise,” Abaton Press, Newton, New Jersey, August 1999 photographs
Landi, Ann: Artnews "New York Reviews" Summer 1999, Volume 98/ Number 7
Cotter, Holland: The New York Times "Reviews" April 9, 1999
Ratcliff, Carter and Sobel, Kim: "Immediacies of the Hand: Recent Abstract Painting in New York" March 1999, catalogue
Sendo, Lenore: Art Vue, Reviews
Heartney, Eleanor: Art in America, June, 1998
Schmerler, Sarah: Artnews "New York Reviews" February 1998, Volume 97/ Number 2
Pope, Robert Russell III: The Abstract Painter As Snake Handler: An Investigation and Interpretation of the Practice of Five American Abstract Painters in 1998, dissertation, Florida State University
Humphrey, Jacqueline: "Art on Paper show has unfinished feeling" Greensboro News and Record November 19, 1998
Perl, Jed: The New Republic "Transformations" December 1, 1997
Brackman, Yvette: Time Out New York October 23-30, 1997 Issue 109
Arning, Bill: Art in America, "John Zinsser at Pamela Auchinclos" November 1997
_______: The New Yorker October 13, 1997
Smith, Dinita: The New York Times "Besides the Hudson, The Lure of Art" October 10, 1997
Ebony, David: http://www.artnet.com/reviews "David Ebony's New York Top Ten" September 23, 1997
_______: The New Yorker September 22, 1997
Macmillan, Kyle: Sunday World Herald "Exhibitions at Joslyn Illustrate Two Different Approaches to Art," September 15, 1996
Johnson, Ken: The New York Times September 19, 1997
_______: Time Out New York "Galleries: 57th Street" September 11-18, 1997 Issue 103
Arning, Bill: Time Out New York "Lilith," September 11-18, 1997 Issue 103
Mendelsohn, John: The Jewish Week "The Abstract Lilith," August 29, 1997
Newhall, Edith: New York Magazine "Fall Previews," September 8, 1997
Schwabsky, Barry: Review "Five Shows I Wish I'd Had a Chance to Write About, 1996-7,” July/August 1997
Cosar, Sascha: Bonner Rundschau, "Urbanes Lebensgefühl in Amerika," May 22, 1997
_______: Bonner Illustrierte , May 1997
Seidel, Martin: Bonner Generalanzeiger, "Spaß mit Öl und Marmorstaub," May 6, 1997
_______: Bonner Generalanzeiger "Tips und Termine," April 18, 1997
_______: Kölneiz Illustrierte, "Nene Ausslellungen, Import/Export," November 1996
Stich, Sidra: Paintings and Altered X rays 1983 - 1996: catalogue accompanying the exhibition, includes a conversation with Barry Schwabsky, The University of Alabama, Sarah Moody Gallery of Art, July 1996
Björkman, Anders: Västerbottens - Kuriren, "The Earth Reddens and Bursts,” Umeå, Sweden, April 26, 1996
Bell, J. Bowyer: Review "Reviews and Previews of Current Exhibitions in New York," April 1996, Volume 1, Number 1
Hirsch, Robert: Exploring Color Photography, Brown & Benchmark Publishers, Madison, Wisconsin, 1997, figure 22.5
Hirsch, Robert: Campos Perspective "In Search of the Pleasure Principle," May/June 1995, Issue 2
Lehrer, Leonard and Rand, Steven: Diverse Group One Direction: catalogue of New York University Faculty Exhibition at Apex Art, Spring 1995
Deyneka, Elisa: Art Voice "In Search of the Pleasure Principle," May 1995, Vol. 6, No. 10
Huntington, Richard: The Buffalo News "Sweet visions from 13 seekers of pleasure," April 27, 1995
Huntington, Richard: The Buffalo News "Joy Division," April 7, 1995
________: Camera and Darkroom April 1995
________: Women Artists: Selections from the Collections of Bryn Mawr College: calendar, 1996
Campbell, Kathleen and Hirsch, Robert: In Search of the Pleasure Principle: catalogue of the exhibition, 1995
U. S. Embassy, Manila: Contemporary American Artists: catalogue of the exhibition, 1994
Nadelman, Cynthia: Drawing "Museum Acquisitions," November/December 1994, Vol. XVI, No. 4
Stevens, Mark: New York Magazine "Bravura Brushwork," November 28, 1994, Vol. 27, No. 47
Nochlin, Linda: Cora Cohen: Recent Paintings: catalogue of the exhibition, 1994
Bacon, George: The Art Newspaper July - September 1994, No. 40
Kalina, Richard: Art in America July 1994, Vol. 82, No. 7
Morgan, Robert C.: Art Press "Peintures pour un hiver," April 1994, No. 190
Neugroshel, Joachim: The New York Review of Art April 24, 1994, Vol. I, No. 2
Hirsch, Faye: Art in America January 1994, Vol. 82, No. 1
________: The New Yorker October 4, 1993
Smith, Roberta: The New York Times December 10, 1993
Wei, Lilly: Art in America June 1993, Vol. 81, No. 6
Henry, Gerrit: Artnews Summer 1993, Vol. 92, No. 6
Cotter, Holland: The New York Times March 19, 1993
_________: The New Yorker "Bright Spark," March 22, 1993
McConaughy, Claire: Cover "Cora Cohen/Anne Delaporte," Winter 1993, Vol. VII
Cohen, Cora: Tema Celeste "The Fulcrum of the Fight," Autumn 1992, No. 37-38
Cotter, Holland: The New York Times August 7, 1992
Smith, Roberta: The New York Times June 26, 1992
Phillips, Michael: Painting Self-Evident: Evolutions in Abstraction: catalogue of the exhibition, 1992
Ostrow, Saul: “Shifting Grounds, Unstable Territories,” essay for the exhibition Multiple Grounds, 1992
_________: Tema Celeste "Where the Meaning Begins," April/May 1992; from a Round Table on Abstraction, No. 35
Figee, Thea: Utrechts Nieuwsblad "Nieuwe materieschilderkunst uit New York," March 28, 1992
Ostrow, Saul: Tema Celeste "Strategies for a New Abstraction," Special Issue, Autumn 1991, No. 32-33
Cohen, Cora: Bomb Magazine "Social Volition," Fall 1991, No. XXXVII
Kaneda, Shirley: Arts Magazine "Painting and its Others," Summer 1991, Vol. 65, No. 6
Artner, Alan G.: Chicago Tribune March 8, 1991
Ostrow, Saul: Strategies for the Next Painting: catalogue of the exhibition, 1991
McQuaid, Cate: South End News "Painting the Dematerialized Ego," October 3, 1990
Sherman, Mary: Boston Globe "The Artful Uses of Classification," August 1990
McQuaid, Cate: South End News "Drawing the Line," June 28, 1990
Westfall, Stephen: Art in America June 1989, Vol. 77, No. 6
Welish, Marjorie: Arts Magazine March 1989, Vol. 63, No. 7
Donohue, Marlena: Los Angeles Times December 2, 1988
Kimmelman, Michael: The New York Times November 25, 1988
_________: Bomb Magazine "An Abbreviated Theory of the Body," Fall 1986, No. XXV; Reproduction
Brenson, Michael: The New York Times January 22, 1988
Cohen, Cora: Bomb Magazine "Interview with Joan Mitchell," Fall 1986, No. XVII
Kertess, Klaus: John Chamberlain: A Catalogue Raisonne of the Sculpture 1954-85
Kertess, Klaus: Painting as Landscape: catalogue of the exhibition, 1985
_________: Bomb Magazine "The American Landscape," Winter 1985, No. XI; Reproduction
Choate, Pari Stave: Flash Art "New York Reviews," Summer 1984, No. 118
Moorman, Peggy: Artnews "New York Reviews," Summer 1984, Vol. 83, No. 6
Brenson, Michael: The New York Times March 16, 1984
Zimmer, William: Arts Magazine March 1984, Vol. 58, No. 7
Rickey, Carrie: The Village Voice "Why Women Don't Express Themselves," November 2, 1982
_________: Bennington Banner July 6, 1982
Kenny, Kay: Women's Art Journal "Abstract Substance and Meaning," Spring/Summer 1982, Vol. 3, No. 1
Nadelman, Cynthia: Artnews "New York Reviews," April 1981, Vol. 80, No. 4
Polk, James: Art World "New York Exhibitions," March 20, 1981
Polk, James: Greenwich Time "The Arts," March 13, 1981
Zimmer, William: Soho Weekly News "Reviews," December 3, 1980
Frank, Peter: The Village Voice "Reviews," June 4, 1979
Cohen, Randy: Synapse "Sound Articulates Space," January/February 1979, Vol. 3, No. 1
Phillips, Michael: New Options in Painterly Abstraction: catalogue of the exhibition, 1979
Canaday, John: The New York Times "It's Spring in Connecticut, and New Talent Blooms," May 9, 1976
Lorber, Richard: Arts Magazine "Reviews," March 1976, Vol. 50, No. 3
Wright, Carolyn: Syracuse New Times “Ambiguity in Art and Person,” December 8, 1974
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Symposia/Interviews/Panels/Lectures
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| 2009 |
Lecture, Vermont Studio Center |
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| 2008 |
“Once or a Thousand Times,” moderated by Wendy Gittler, New York Artists Equity Association, The Art Students League,
New York, New York |
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| 2007 |
"Being a Painter," University of the Arts, Philadelphia, Pennsylvania |
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| 2006 |
“My Work,” Fordham University, New York, New York
“On Her Work,” New York Studio School, New York, New York |
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|
| 1999 |
Open Studio to Benefit the Coalition for the Homeless
Interview with Cora Cohen, published by Bentley Gallery to accompany a solo exhibition |
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|
| 1998 |
Contemporary Painting: Interview with Cora Cohen by Robert Pope as part of a Dissertation on Contemporary Abstract Painting, Florida State University |
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|
| 1996 |
“Kunstmarkt New York/Köln,” Interview by Peter Krüger, Köln, Germany |
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|
| 1995 |
"Artists in the Studio: Cora Cohen," video aired on channel 16, December 17, 1995, New York, New York |
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|
| 1992 |
“The Feminine in Abstract Painting,” moderated by Anna Chave, Sandra Gering Gallery, New York |
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|
| 1991 |
Round Table on Abstraction under the auspices of Tema Celeste at Charlie Clough's, New York, New York |
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|
| 1989 |
"Institutions of the Art World," moderated by Paul Mattick, American Society of Aesthetics, New York, New York |
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Grants and Awards |
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| 2009 |
The Edward F. Albee Foundation Residency, Montauk, NY |
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|
| 2008-09 |
The Marie Walsh Sharpe Foundation Space Program Residency, Brooklyn, NY |
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|
| 2006 |
Adolph and Esther Gottlieb Foundation Award |
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|
| 1998 |
The Pollock / Krasner Foundation Award |
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|
| 1990 |
Adolph and Esther Gottlieb Foundation Award |
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|
| 1989 |
New York Foundation for the Arts, Painting Fellowship |
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|
| 1987 |
National Endowment for the Arts, Painting Fellowship |
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|
| 1982 |
Fellow, Yaddo, Saratoga Springs, New York |
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|
| 1969 |
University of Pennsylvania, Fellowship in Fine Arts—Painting |
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|
| 1964 |
Bennington College, Fellowship in Studio Art |
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Selected Teaching |
| |
| 2007-08 |
The Educational Alliance, New York, New York – Advanced Oil Painting, Acrylic Painting, Contemporary Painting |
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|
| 2006-08 |
Vermont Studio Center, Johnson, Vermont – Visiting Critic |
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| 2006 |
Maryland Institute College of Art, Baltimore, Maryland – Adjunct Faculty |
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| 2005 |
New York University – Visiting Artist
Private Studio Tutorial – Drawing |
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|
| 2004 |
The New School, New York – Visiting Artist
State University of New Jersey, Newark – Adjunct Faculty |
| |
|
| 2003 |
Washington University, St. Louis – Visiting Artist
Emory and Henry College, Emory, Virginia – Visiting Artist |
| |
|
| 2000 |
Corcoran Museum and School of Art – Visiting Artist
Vermont Studio Center – Visiting Critic |
| |
|
| 1998-03 |
The University of North Carolina, Greensboro – Associate Professor of Art
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| 1999 |
Vermont Studio Center – Visiting Critic |
| |
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| 1998 |
Vermont Studio Center – Visiting Critic |
| |
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| 1997 |
Vermont Studio Center – Visiting Critic
School of the Art Institute of Chicago – Visiting Artist
New York University – Adjunct Faculty
Fundamentals of Painting; M.F.A. Studio Critique |
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|
| 1996 |
Kunsthögskolan, Umeå, Sweden – Seminar
Kunsthögskolan, Stockholm, Sweden – Seminar
University of Minnesota – Visiting Artist
New York University – Adjunct Faculty – Advanced Painting |
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|
| 1995 |
New York University – Adjunct Faculty – Advanced Drawing
Boston Museum School of Fine Arts – Visiting Artist |
| |
|
| 1994 |
Tyler School of Art, Temple University - Lecture
New York University – Adjunct Faculty – Fundamentals of Drawing – Advanced Painting
Boston Museum School of Fine Arts – Visiting Artist |
| |
|
| 1993 |
New York University – Adjunct Faculty – Advanced Painting
School of the Art Institute of Chicago – Visiting Professor
New York University – Adjunct Faculty – Advanced Drawing
New Arts Program, Kutztown, Pennsylvania – Visiting Artist |
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|
| 1992 |
School of the Art Institute of Chicago – Visiting Professor
School of the Art Institute of Chicago at Oxbow – Visiting Artist
New York University – Adjunct Faculty – Painting
Brooklyn College – Lecture |
| |
|
| 1991 |
New York University – Adjunct Faculty – Fundamentals of Drawing
School of the Art Institute of Chicago – Visiting Artist
Kent State University – Blossom Art Program – Visiting Artist |
| |
|
| 1990 |
New York University – Adjunct Faculty – Introduction to Drawing, Advanced Painting
Tyler School of Art – Visiting Artist |
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|
| 1989 |
New York Studio School – Lecture |
| |
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| 1985 |
Boston Museum School of Fine Arts – Visiting Artist |
| |
|
| 1984 |
School of the Art Institute of Chicago – Visiting Artist
Wesleyan University, Connecticut – Studio Lecture
University of Chicago – Visiting Artist |
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|
| 1983 |
School of the Art Institute of Chicago – Visiting Artist
Converse College, South Carolina – Studio Lecture |
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| 1979 |
C. W. Post College, Long Island – Studio Lecture |
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| 1970-72 |
Bennington College, Vermont – Drawing |
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| 1969-70 |
University of Pennsylvania – Artist-in-Residence |
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|
Education |
Bennington College, Vermont, B. A., M. A. (Painting and Drawing) 1972 |
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