Selected Solo Exhibitions
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* catalogue |
2008
2007 |
Michael Steinberg Fine Art, New York, New York
*Abaton Garage, Jersey City, New Jersey, drawings
Markus Winter Gallery, Berlin paintings, drawings |
2005 |
Bentley Gallery, Scottsdale, Arizona
Abaton Garage, Jersey City, New Jersey, drawings, photographs, altered x rays |
2004 |
Jason McCoy Inc., New York, New York |
2003 |
National Focus Artist 2003-2004, Emory & Henry College, Emory, Virginia |
2002 |
Bentley Gallery, Scottsdale, Arizona |
2001 |
McCoy Chelsea, New York, New York |
1999 |
Belvedere Straße 149a, Köln, paintings and altered x rays
Bentley Gallery, Scottsdale, Arizona |
1998 |
Hering Raum Bonn, Bonn, Cohen/Koberling drawings
Upstairs Hering Raum Bonn, Bonn, drawings |
1997 |
Jason McCoy Inc., New York, New York
Rena Bransten Gallery, San Francisco, California
The Mob Within the Heart, Hering Raum Bonn, Bonn, paintings, altered x rays, vellum |
1996 |
* Cora Cohen: paintings and altered x rays 1983-1996
Joslyn Art Museum, Omaha, Nebraska
Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, Alabama |
1994 |
*Jason McCoy Inc., New York, New York
David Beitzel Gallery, New York, New York drawings |
1993 |
New Arts Program, Kutztown, Pennsylvania, paintings/drawings/vellum 1990-1993
Jason McCoy Inc., New York, New York |
1992 |
A/C Project Room, New York, New York, Cohen/ Deleporte |
1990 |
Holly Solomon Gallery, New York, New York |
1988 |
Wolff Gallery, New York, New York |
1984 |
Max Hutchinson Gallery, New York, New York |
Selected Group Exhibitions |
2007 |
No Words And Words On Paper, Stalke Kirke Sonnerup, Denmark, drawings |
2003 |
im + provisus: Compositions in Jazz, curated by Alison Nichols Ferring and Eva Lundsager, Sheldon Art Galleries, St. Louis, Missouri, drawings
Painting Painting, N3 Project Space, Williamsburg, Brooklyn, New York |
2002 |
Back to the Future, curated by Michael St. John and Jason Duval; Cynthia Broan Gallery, New York, New York |
2001 |
*The Five and Dime Series, The Record, the Death, the Surprise, Jan Van der Donk, New York, New York |
2000 |
*The Tsagaris/Hilberry Collection: A Sustaining Passion, The University of Arizona Museum of Art, Tuscon, Arizona |
1999 |
Oppenhoff and Rädler, Leipzig, organized by Stefanie Hering; paintings and altered x rays
Galerie Mariann Ahnlund, Stockholm Art Fair, Stockholm
*Immediacies of the Hand: Recent Abstract Painting in New York, curated by Carter Ratcliff and Kim Sobel; Hunter College, Times Square Gallery, New York, New York
Positionen 33 Painting, Hering Raum Stahlwerk Willich, Willich |
1998 |
Painting New York/Copenhagen, Stalke Out of Space, Copenhagen
*Art On Paper, Weatherspoon Art Gallery, Greensboro, North Carolina
Galerie Mariann Ahnlund, Stockholm Art Fair, Stockholm
Barbara Davis Gallery, Houston, Texas
Lilith, curated by Stephanie Theodore; The Workspace at Dolgenos, Newman, & Cronin, New York, New York
*After the Fall: Aspects of Abstract Painting Since 1970, curated by Lilly Wei; Newhouse Center for Contemporary Art Snug Harbor Cultural Center, Staten Island, New York |
1996 |
Import/Export, presented by Stefanie Hering at Auto Kaiser, Köln, altered x rays
Galerie Brigitte Schenk, Köln, Cohen, Dagly, Dahn, Penck, others
The Gramercy International Contemporary Art Fair, The Gramercy Park Hotel, New York, New York
Galerie Mariann Ahnlund, Umeå, paintings and altered x rays |
1995 |
*In Search of the Pleasure Principle, CEPA Gallery, Buffalo, New York, altered x rays
The Smart Fair, A/C Project Room, Stockholm, altered x rays
1995 Benefit Gala, White Columns, New York, New York
*New York University 1995 Faculty Show, Apex Art, New York, New York |
Selected Bibliography |
MacAdam, Barbara: Art News “The New Abstraction” April 2007, Volume 106, Number 4
Buhmann, Stefanie: “Experience versus Experimentation,” catalogue essay to accompany the solo exhibition of paintings and drawings at Galerie Markus Winter, Berlin, February 10 – March 31, 2007
The Art in Embassies Program, United States Embassy Sarajevo, 2006 catalogue, paintings
Bortz, Lauri; “Far Less Tangible States of Being, Cohen’s altered x rays, drawings and photographs,” August 2006
Maine, Stephen: Art in America, February 2005
Buhmann, Stefanie: The Brooklyn Rail, “Reviews” November 2004
Schwabsky, Barry: “One Art,” essay to accompany 2004 exhibition
Rubenstein, Raphael: Art in America, “Not a Mirage" December 2002, Number 12
Cohen, Cora: “The Record, the Death, the Surprise,” Abaton Press, Newton, New Jersey, August 1999 photographs
Landi, Ann: Art News "New York Reviews" Summer 1999, Volume 98/ Number 7
Cotter, Holland: The New York Times "Reviews" April 9, 1999
Ratcliff, Carter and Sobel, Kim: "Immediacies of the Hand: Recent Abstract Painting in New York" March 1999, catalogue accompanying the exhibition
Heartney, Eleanor: Art in America, June, 1998
Schmerler, Sarah: Art News "New York Reviews" February 1998, Volume 97/ Number 2
Perl, Jed: The New Republic "Transformations" December 1, 1997
Brackman, Yvette: Time Out New York October 23-30, 1997 Issue 109
Arning, Bill: Art in America, November 1997 "John Zinsser at Pamela Auchinclos"
_______: The New Yorker October 13, 1997
Ebony, David: http://www.artnet.com/reviews "David Ebony's New York Top Ten" September 23, 1997
_______: The New Yorker September 22, 1997
Johnson, Ken: The New York Times September 19, 1997
_______: Time Out New York "Galleries: 57th Street" September 11-18, 1997 Issue 103
Arning, Bill: Time Out New York "Lilith," September 11-18, 1997 Issue 103
Mendelsohn, John: The Jewish Week "The Abstract Lilith," August 29, 1997
Schwabsky, Barry: Review "Five Shows I Wish I'd Had a Chance to Write About, 1996-7,” July/August 1997
Cosar, Sascha: Bonner Rundschau, "Urbanes Lebensgefühl in Amerika," May 22, 1997
_______: Bonner Illustrierte , May 1997
Seidel, Martin: Bonner Generalanzeiger, "Spaß mit Öl und Marmorstaub," May 6, 1997
_______: Bonner Generalanzeiger "Tips und Termine," April 18, 1997
_______: Kölneiz Illustrierte, "Nene Ausslellungen, Import/Export," November 1996
Stich, Sidra: Paintings and Altered X rays 1983 - 1996: catalogue accompanying the exhibition, includes a conversation with Barry Schwabsky, The University of Alabama, Sarah Moody Gallery of Art, July 1996
Björkman, Anders: Västerbottens - Kuriren, "The Earth Reddens and Bursts,” Umeå, Sweden, April 26, 1996
Bell, J. Bowyer: Review "Reviews and Previews of Current Exhibitions in New York," April 1996, Volume 1, Number 1
Hirsch, Robert: Exploring Color Photography, Brown & Benchmark Publishers, Madison, Wisconsin, 1997, figure 22.5
Nadelman, Cynthia: Drawing "Museum Acquisitions," November/December 1994, Vol. XVI, No. 4
Stevens, Mark: New York Magazine "Bravura Brushwork," November 28, 1994, Vol. 27, No. 47
Nochlin, Linda: Cora Cohen: Recent Paintings: catalogue of the exhibition, 1994 |
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Symposia/Interviews/Panels/Lectures
| 2007 |
"Being a Painter", University of the Arts, Philadelphia, Pennsylvania |
2006 |
“On Her Work,” New York Studio School, New York, New York |
1996 |
“Kunstmarkt New York/Köln,” Interview by Peter Krüger, Köln, Germany |
1992 |
“The Feminine in Abstract Painting,” moderated by Anna Chave, Sandra Gering Gallery, New York |
Grants and Awards |
2006 |
Adolph and Esther Gottlieb Foundation Award |
1999 |
Kohler Fund Award, The University of North Carolina, Greensboro
New Faculty Grant, The University of North Carolina, Greensboro |
1998 |
The Pollock / Krasner Foundation Award |
Selected Teaching |
2006, 7 |
Vermont Studio Center, Johnson, Vermont – Visiting Critic |
2006 |
Maryland Institute College of Art, Baltimore, Maryland – Adjunct Faculty |
2005 |
New York University - Visiting Artist
Private Studio Tutorial - Drawing |
2004 |
The New School, New York - Visiting Artist
State University of New Jersey, Newark - Adjunct Faculty |
2003 |
Washington University, St. Louis - Visiting Artist
Emory and Henry College, Emory, Virginia - Visiting Artist |
2000 |
Corcoran Museum and School of Art - Visiting Artist |
1998-2003 |
The University of North Carolina, Greensboro - Associate Professor of Art |
1999 |
Vermont Studio Center - Visiting Critic |
1997 |
Vermont Studio Center - Visiting Critic
School of the Art Institute of Chicago - Visiting Artist |
1996 |
Kunsthögskolan, Umeå, Sweden - Seminar
Kunsthögskolan, Stockholm, Sweden - Seminar
University of Minnesota - Visiting Artist |
1995 |
Boston Museum School of Fine Arts - Visiting Artist |
Education |
Bennington College, Vermont, B. A., M. A. (Painting and Drawing) 1972 |
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